Macklemore and Ryan Lewis take us behind the scenes for the White Walls video. See how MōVI and CineStar helped bring their vision to life.
Freefly and cinematographer Corey Koniniec help break down Nick Goepper’s incredible slopestyle tricks.
Freefly joined the BBC in Australia to capture some stunning shots of storms and landscapes in Australia’s Outback.
On location in South Africa, MōVI M10 was with Velocity Films shooting an Allan Gray TV commercial.
Director Oliver Stone and cinematographer Rodrigo Prieto use the MōVI M10 in their DirecTV World Cup 2014 spot for unique camera placements and action shots.
Freefly joined the BBC Natural History Unit in Cambodia for their film, Monsoon. The versatility of the MōVI M10 helped capture stunning sequences of this unique location.
Director Nick Schrunk uses the MōVI M10 to help capture the Red Bull Signature Series event, Dreamline.
Seattle filmmakers Phillip and Kevin Harvey, along with DP Domenic Barbero, use the MōVI M10 to get unique shots on their short film, The Arborlight.
Seattle filmmaker Keith Rivers and Los Angeles DP Eric Koretz and their amazing team shoot the sci-fi short film Brilliant. The film was almost exclusively shot on the MōVI.
Morning Rituals—part one in a series of portraits from Sydney, Australia. Captured using the MŌVI M10 and the Canon 1DC HDDSLR.
Filmmaker Corey Koniniec creates the intro to the Burton Snowboarding video series. Filmed on the RED Epic using the MōVI M10, this film gives you insight into how the MōVI is changing the way people are making films.
Writer, actor, and director Zach Braff got in touch with the team at Freefly to use the MōVI M10 for some special sequences in his film Wish I Was Here.
Taking the 6K RED Epic Dragon airborne with the Cinestar 8 and MōVI MR.
Talented team Danielle Krieger and Casey Warren’s short film ‘From 1994,’ the first film shot using the MōVI M10 and the Arri Alexa M.